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Anno  Schreier

Né: 3 décembre 1979
Pays d'origine: Allemagne
Upcoming :
Chef d'orchestre: Christopher Ward
2019-12-08 | Aachen (Allemagne), Theater Aachen, Großes Haus | Première mondiale
Chef d'orchestre: Christopher Ward
2019-12-14 | Aachen (Allemagne), Theater Aachen, Großes Haus
Anno Schreier has the theatrical instinct of Richard Strauss: the music of the composer in his mid-thirties possesses an enormous power of imagination, seductive sensuality and fantastic diversity (Stefan Ender commented on the premiere of the opera Hamlet in the Theater an der Wien in Vienna in September 2016) 

Born in Aachen in 1979, Anno Schreier has chiefly gained his reputation as an opera composer. By the premiere of the opera Kein Ort. Nirgends based on a novel by Christa Wolf in Mainz in 2006, he had already developed an individual music theatre style in which he blended and juxtaposed heterogenic set pieces and quasi quotations with a multitude of stylistics, frequently alienated with an ironic or grotesque touch. Schreier continued to develop this approach in tragic and comic works and music theatre works for young people, for example in the chamber opera Mörder Kaspar Brand (2011, Deutsche Oper am Rhein, Düsseldorf), the musical comedy with an Arctic theme Prinzessin im Eis (2013, Theater Aachen) and Schade, dass sie eine Hure war (2019, Deutsche Oper am Rhein, Düsseldorf). He has produced an increasingly complex and yet always sensually experienceable and dramatically effective conglomerate of highly diverse musical forms with a constant juxtaposition of comedy and tragedy and earnestness and entertainment. In contrast, he has also created works such as Die Stadt der Blinden (2011, Opernhaus Zürich) and Hamlet (2016, Theater an der Wien) which possess a more homogenous musical language with only occasional ‘sprinklings’ of allusions. 

Frequently, Schreier’s purely instrumental works also display literary influences and other non-musical concepts. The cello concerto On A Long Strand first performed in 2015 by Julian Steckel with the Badische Staatskapelle was inspired by a poem by the Irish lyrical poet Seamus Heaney. The dialogue between the soloist and orchestra evokes a walking tour along North European coastal landscapes, also integrating elements from traditional Irish music. 

In his lieder, Schreier has made settings of texts by Eichendorff, Heine und Morgenstern as well as lyrical poetry from earlier periods and the contemporary era. In his ten-movement cycle Fuoco e lagrime for soprano and piano (also in a version for soprano and ensemble) he combines poems and fragments by Michelangelo with new texts by Marcel Beyer, thereby creating a dialogue between the Italian and the German language and between the Renaissance and the present day. 

Since around 2017, Anno Schreier has combined a musical texture reduced to only a few elements with influences from minimal music and pop music, for example in the compositions Atlantis (2018) for ensemble, Kältefuchs (2019) based on a poem by Marcel Beyer and Zwei Studien zu einer Landschaft (2019) for violoncello and piano. 

Schreier received tuition in piano, violin, organ and music theory at an early age. He studied composition with Manfred Trojahn at the Robert Schumann Hochschule in Düsseldorf before continuing his studies at the Royal College of Music in London. From 2005 to 2007, he studied with Hans-Jürgen von Bose as a master student at the Hochschule für Musik and Theater in Munich. Since 2008, he has taught music theory at the Hochschule für Musik in Karlsruhe. 

Schreier has worked with renowned orchestras and ensembles including the Orchestre National de Belgique, the Brussels Philharmonic, the Sinfonieorchester Aachen, the RSO Vienna, the Ensemble Modern and the Armida Quartet. He was “Composer for Heidelberg” during the season 2009/10. 

Schreier has been the recipient of numerous prizes and scholarships awarded by institutions including the German National Academic Foundation, the Deutsche Bank Foundation, the regional capital Munich, the Academy of Arts in Berlin, the Wilfried Steinbrenner Foundation and the North Rhine-Westphalian Academy of Sciences and Humanities. In 2010, Schreier received a scholarship from the German Academy in Rome in the Villa Massimo and in 2012 the Young Artist Award from the federal state of North Rhine-Westphalia. In 2016, he was received into the “Young Academy” of the Academy of Sciences and Literature in Mainz and was awarded the German Music Author Prize in the category “music theatre” in March 2017. 

www.annoschreier.de
1979
born in Aachen on 3 December
1999
studies in composition with Manfred Trojahn at the Robert Schumann Hochschule Düsseldorf
2002
scholarship from the German National Academic Foundation
2003
studies at the Royal College of Music, London
2005
member of the masterclass Hans-Jürgen von Bose at the Hochschule für Musik und Theater in Munich
2006
premiere of the opera "Kein Ort. Nirgends" based on a novel by Christa Wolf at the Staatstheater Mainz
2007
residence scholarship at the Künstlerhaus Lukas, Ahrenshoop
2007
Leonhard and Ida Wolf Commemoration Prize for Music from the state capital Munich
2008
premiere of the staged song cycle "Wunderhorn" at the Mainfranken Theater in Würzburg
2008
scholarship from the Akademie Musiktheater, now the Deutsche Bank Foundation
2008
lectureship for music theory at the Hochschule für Musik in Karlsruhe
2009
prize winner in the competition "Teatro minimo" at the Opernhaus Zurich
2009
outstanding artist’s award from the Academy of Arts in Berlin
2009
scholarship from the Wilfried Steinbrenner Foundation
2009
composer in residence at the Philharmonisches Orchester der Stadt Heidelberg
2010
scholarship from the German Academy in Rome in the Villa Massimo
2010
Karl Arnold Prize from the North Rhine-Westphalian Academy of Sciences and Humanities
2011
premiere of the opera "Die Stadt der Blinden" based on the novel by José Saramago at the Opernhaus Zurich
2012
commission from the Badisches Staatstheater Karlsruhe for a new orchestral work celebrating the 350th anniversary of the Badische Staatskapelle
2012
premiere of the opera "Mörder Kaspar Brand" based on motifs by Edgar Allan Poe at the Deutsche Oper am Rhein, Düsseldorf
2012
Young Artist Award from the federal state of North Rhine-Westphalia
2013
premiere of the multinational Arctic comedy "Prinzessin im Eis" at the Theater Aachen
2015
premiere of "On A Long Strand" for violoncello and orchestra performed by Julian Steckel and the Badische Staatskapelle Karlsruhe
2016
received into the “Young Academy” of the Academy of Sciences and Literature in Mainz
2016
premiere of the opera "Hamlet" at the Theater an der Wien
2017
awarded the German Music Author Prize in the category “music theatre”
2019
premiere of the opera "Schade, dass sie eine Hure war" based on a play by John Ford at the Deutsche Oper am Rhein, Düsseldorf
2019
premiere of "Nils Holgerssons wunderbare Reise" for children’s choir and orchestra based on the children’s book by Selma Lagerlöf at the Kölner Philharmonie
2019
premiere of the family opera "Der Zauberer von Oz" at the Theater Aachen
Chef d'orchestre: Christopher Ward
2019-12-08 | Aachen (Allemagne), Theater Aachen, Großes Haus | Première mondiale
Chef d'orchestre: Christopher Ward
2019-12-14 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2019-12-22 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-10 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-12 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-22 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-03-12 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Oliver Pols
2020-06-20 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus | Première nationale
Chef d'orchestre: Oliver Pols
2020-06-24 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-06-30 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-07-04 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-07-10 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus

Gallery

par page
  1. Atlantis

    Atlantis

    Prologue and epilogue to "Der Kaiser von Atlantis" by Viktor Ullmann
    Compositeur : Schreier, Anno
    Instrumentation : ensemble
    Édition : matériel d'exécution
  2. Aus Giannozzos Seebuch

    Aus Giannozzos Seebuch

    A flight phantasy after Jean Paul
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  3. Nachtstück (Durchbrochene Szene II)

    Nachtstück (Durchbrochene Szene II)

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  4. thick strokes moving

    thick strokes moving

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  5. Sérénade pour l’Orphée

    Sérénade pour l’Orphée

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  6. On A Long Strand

    On A Long Strand

    Music for violoncello solo and orchestra
    Compositeur : Schreier, Anno
    Instrumentation : violoncelle solo et orchestre
    Édition : matériel d'exécution
  7. Fuoco e lagrime en préparation

    Fuoco e lagrime

    Songs for soprano and piano
    Compositeur : Schreier, Anno
    Instrumentation : soprano et piano
    Édition : Edition séparée
    N° Réf. : ED 23190
    22,00 €  *

    Épuisé

  8. Seven ballet scenes en préparation

    Seven ballet scenes

    for violin, violoncello and piano
    Compositeur : Schreier, Anno
    Instrumentation : violon, violoncelle et piano
    Édition : Partition et parties
    N° Réf. : ED 23191
    34,00 €  *

    Épuisé

  9. The Wizard of Oz

    The Wizard of Oz

    A magic opera in two acts
    Compositeur : Schreier, Anno
    Édition : matériel d'exécution
    Langue : allemand
  10. ’Tis Pity She’s A Whore

    ’Tis Pity She’s A Whore

    Opera in five acts
    Compositeur : Schreier, Anno
    Édition : matériel d'exécution
    Langue : allemand

par page
Profil
Anno Schreier has the theatrical instinct of Richard Strauss: the music of the composer in his mid-thirties possesses an enormous power of imagination, seductive sensuality and fantastic diversity (Stefan Ender commented on the premiere of the opera Hamlet in the Theater an der Wien in Vienna in September 2016) 

Born in Aachen in 1979, Anno Schreier has chiefly gained his reputation as an opera composer. By the premiere of the opera Kein Ort. Nirgends based on a novel by Christa Wolf in Mainz in 2006, he had already developed an individual music theatre style in which he blended and juxtaposed heterogenic set pieces and quasi quotations with a multitude of stylistics, frequently alienated with an ironic or grotesque touch. Schreier continued to develop this approach in tragic and comic works and music theatre works for young people, for example in the chamber opera Mörder Kaspar Brand (2011, Deutsche Oper am Rhein, Düsseldorf), the musical comedy with an Arctic theme Prinzessin im Eis (2013, Theater Aachen) and Schade, dass sie eine Hure war (2019, Deutsche Oper am Rhein, Düsseldorf). He has produced an increasingly complex and yet always sensually experienceable and dramatically effective conglomerate of highly diverse musical forms with a constant juxtaposition of comedy and tragedy and earnestness and entertainment. In contrast, he has also created works such as Die Stadt der Blinden (2011, Opernhaus Zürich) and Hamlet (2016, Theater an der Wien) which possess a more homogenous musical language with only occasional ‘sprinklings’ of allusions. 

Frequently, Schreier’s purely instrumental works also display literary influences and other non-musical concepts. The cello concerto On A Long Strand first performed in 2015 by Julian Steckel with the Badische Staatskapelle was inspired by a poem by the Irish lyrical poet Seamus Heaney. The dialogue between the soloist and orchestra evokes a walking tour along North European coastal landscapes, also integrating elements from traditional Irish music. 

In his lieder, Schreier has made settings of texts by Eichendorff, Heine und Morgenstern as well as lyrical poetry from earlier periods and the contemporary era. In his ten-movement cycle Fuoco e lagrime for soprano and piano (also in a version for soprano and ensemble) he combines poems and fragments by Michelangelo with new texts by Marcel Beyer, thereby creating a dialogue between the Italian and the German language and between the Renaissance and the present day. 

Since around 2017, Anno Schreier has combined a musical texture reduced to only a few elements with influences from minimal music and pop music, for example in the compositions Atlantis (2018) for ensemble, Kältefuchs (2019) based on a poem by Marcel Beyer and Zwei Studien zu einer Landschaft (2019) for violoncello and piano. 

Schreier received tuition in piano, violin, organ and music theory at an early age. He studied composition with Manfred Trojahn at the Robert Schumann Hochschule in Düsseldorf before continuing his studies at the Royal College of Music in London. From 2005 to 2007, he studied with Hans-Jürgen von Bose as a master student at the Hochschule für Musik and Theater in Munich. Since 2008, he has taught music theory at the Hochschule für Musik in Karlsruhe. 

Schreier has worked with renowned orchestras and ensembles including the Orchestre National de Belgique, the Brussels Philharmonic, the Sinfonieorchester Aachen, the RSO Vienna, the Ensemble Modern and the Armida Quartet. He was “Composer for Heidelberg” during the season 2009/10. 

Schreier has been the recipient of numerous prizes and scholarships awarded by institutions including the German National Academic Foundation, the Deutsche Bank Foundation, the regional capital Munich, the Academy of Arts in Berlin, the Wilfried Steinbrenner Foundation and the North Rhine-Westphalian Academy of Sciences and Humanities. In 2010, Schreier received a scholarship from the German Academy in Rome in the Villa Massimo and in 2012 the Young Artist Award from the federal state of North Rhine-Westphalia. In 2016, he was received into the “Young Academy” of the Academy of Sciences and Literature in Mainz and was awarded the German Music Author Prize in the category “music theatre” in March 2017. 

www.annoschreier.de
œuvre
Chronologie
1979
born in Aachen on 3 December
1999
studies in composition with Manfred Trojahn at the Robert Schumann Hochschule Düsseldorf
2002
scholarship from the German National Academic Foundation
2003
studies at the Royal College of Music, London
2005
member of the masterclass Hans-Jürgen von Bose at the Hochschule für Musik und Theater in Munich
2006
premiere of the opera "Kein Ort. Nirgends" based on a novel by Christa Wolf at the Staatstheater Mainz
2007
residence scholarship at the Künstlerhaus Lukas, Ahrenshoop
2007
Leonhard and Ida Wolf Commemoration Prize for Music from the state capital Munich
2008
premiere of the staged song cycle "Wunderhorn" at the Mainfranken Theater in Würzburg
2008
scholarship from the Akademie Musiktheater, now the Deutsche Bank Foundation
2008
lectureship for music theory at the Hochschule für Musik in Karlsruhe
2009
prize winner in the competition "Teatro minimo" at the Opernhaus Zurich
2009
outstanding artist’s award from the Academy of Arts in Berlin
2009
scholarship from the Wilfried Steinbrenner Foundation
2009
composer in residence at the Philharmonisches Orchester der Stadt Heidelberg
2010
scholarship from the German Academy in Rome in the Villa Massimo
2010
Karl Arnold Prize from the North Rhine-Westphalian Academy of Sciences and Humanities
2011
premiere of the opera "Die Stadt der Blinden" based on the novel by José Saramago at the Opernhaus Zurich
2012
commission from the Badisches Staatstheater Karlsruhe for a new orchestral work celebrating the 350th anniversary of the Badische Staatskapelle
2012
premiere of the opera "Mörder Kaspar Brand" based on motifs by Edgar Allan Poe at the Deutsche Oper am Rhein, Düsseldorf
2012
Young Artist Award from the federal state of North Rhine-Westphalia
2013
premiere of the multinational Arctic comedy "Prinzessin im Eis" at the Theater Aachen
2015
premiere of "On A Long Strand" for violoncello and orchestra performed by Julian Steckel and the Badische Staatskapelle Karlsruhe
2016
received into the “Young Academy” of the Academy of Sciences and Literature in Mainz
2016
premiere of the opera "Hamlet" at the Theater an der Wien
2017
awarded the German Music Author Prize in the category “music theatre”
2019
premiere of the opera "Schade, dass sie eine Hure war" based on a play by John Ford at the Deutsche Oper am Rhein, Düsseldorf
2019
premiere of "Nils Holgerssons wunderbare Reise" for children’s choir and orchestra based on the children’s book by Selma Lagerlöf at the Kölner Philharmonie
2019
premiere of the family opera "Der Zauberer von Oz" at the Theater Aachen
Représentations
Chef d'orchestre: Christopher Ward
2019-12-08 | Aachen (Allemagne), Theater Aachen, Großes Haus | Première mondiale
Chef d'orchestre: Christopher Ward
2019-12-14 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2019-12-22 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-10 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-12 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-01-22 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Christopher Ward
2020-03-12 | Aachen (Allemagne), Theater Aachen, Großes Haus
Chef d'orchestre: Oliver Pols
2020-06-20 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus | Première nationale
Chef d'orchestre: Oliver Pols
2020-06-24 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-06-30 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-07-04 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Chef d'orchestre: Oliver Pols
2020-07-10 | Kaiserslautern (Allemagne), Pfalztheater, Großes Haus
Galerie

Gallery

Produits

par page
  1. Atlantis

    Atlantis

    Prologue and epilogue to "Der Kaiser von Atlantis" by Viktor Ullmann
    Compositeur : Schreier, Anno
    Instrumentation : ensemble
    Édition : matériel d'exécution
  2. Aus Giannozzos Seebuch

    Aus Giannozzos Seebuch

    A flight phantasy after Jean Paul
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  3. Nachtstück (Durchbrochene Szene II)

    Nachtstück (Durchbrochene Szene II)

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  4. thick strokes moving

    thick strokes moving

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  5. Sérénade pour l’Orphée

    Sérénade pour l’Orphée

    for orchestra
    Compositeur : Schreier, Anno
    Instrumentation : orchestre
    Édition : matériel d'exécution
  6. On A Long Strand

    On A Long Strand

    Music for violoncello solo and orchestra
    Compositeur : Schreier, Anno
    Instrumentation : violoncelle solo et orchestre
    Édition : matériel d'exécution
  7. Fuoco e lagrime en préparation

    Fuoco e lagrime

    Songs for soprano and piano
    Compositeur : Schreier, Anno
    Instrumentation : soprano et piano
    Édition : Edition séparée
    N° Réf. : ED 23190
    22,00 €  *

    Épuisé

  8. Seven ballet scenes en préparation

    Seven ballet scenes

    for violin, violoncello and piano
    Compositeur : Schreier, Anno
    Instrumentation : violon, violoncelle et piano
    Édition : Partition et parties
    N° Réf. : ED 23191
    34,00 €  *

    Épuisé

  9. The Wizard of Oz

    The Wizard of Oz

    A magic opera in two acts
    Compositeur : Schreier, Anno
    Édition : matériel d'exécution
    Langue : allemand
  10. ’Tis Pity She’s A Whore

    ’Tis Pity She’s A Whore

    Opera in five acts
    Compositeur : Schreier, Anno
    Édition : matériel d'exécution
    Langue : allemand

par page
News