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Paul  Hindemith

Né: 16 novembre 1895
Mort: 28 décembre 1963
Pays d'origine: Allemagne
Upcoming :
Chef d'orchestre: Christian Ehwald
Orchestre: Guiyang Symphony Orchestra
2019-12-13 | Guiyang (Chine, République populaire de), Grand Theater — 20:00
Chef d'orchestre: Katsuto Yokoshima
Orchestre: Miyamae Philharmonic Orchestra
2019-12-15 | Kawasaki (Japon), Miyamae Shiminkan — 14:00

In general, the lack of contact in music between the producer and the consumer in our time is regrettable; a composer should only write when he knows for what purpose he is composing. The days of simply composing for oneself have perhaps now been lost for ever. (Paul Hindemith)

Paul Hindemith was born on 16.11.1895 in Hanau. He studied the violin and composition with Adolf Rebner, Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatory in Frankfurt/Main. He was only twenty when he was appointed as the leader of the Frankfurt Opera Orchestra. After the end of the First World War, he returned to Frankfurt and founded the Amar Quartet in which he played the viola from 1922 to 1929. In 1923, Hindemith became a member of the organisational committee for the Donaueschingen Music Festival: it was at this festival that he gained an initial reputation following the first performance of his String Quartet Op. 16. In 1927, he was appointed as professor for composition at the Hochschule für Musik in Berlin. His career as a composer reached a first peak at the beginning of the 1930s, but with the seizure of power by the National Socialists, his works were declared as “culturally bolshevist” and disappeared from concert programmes. Hindemith undertook a number of journeys to Turkey and the USA. In 1936, a final ban was issued for the performance of his works which provoked Hindemith to emigrate, initially to Switzerland. He subsequently relocated to the USA and acquired American nationality (1946). As a professor, he taught at Yale University from 1940 to 1953 and was a guest lecturer for poetry at the Harvard University in 1949/50. From 1951 to 1957, he was a professor for musicology at the Zurich University and settled in Blonay near Lake Geneva. Paul Hindemith died on 28 December 1963 in Frankfurt/Main.

Hindemith played a prominent role in music history, not only as one of the leading composers of the 20th century, but also as conductor, teacher and musical theorist. His oeuvre spans all genres: orchestral works, solo concertos, chamber music for a wide variety of instruments, choral works, lieder, operas and ballets. He was also the author of numerous books and essays, including the book on harmonic theory "Unterweisung im Tonsatz”, first published in 1937. His compositions take up a position within the contradictory contexts of avant-garde provocation, "Neue Sachlichkeit” [New Objectivity] and the search for a universally accepted musical language. While Kammermusik No.1 which was premiered in1922 in Donaueschingen was deliberately intended to provoke the bourgeois public with its wailing sirens, the later Kammermusik works which were composed up to 1927 display the transparent, contrapuntal and well-dosed harmony which chiefly characterised Hindemith’s works during his central creative phase. The Concerto for violin and orchestra from 1939 heralded a series of later solo concertos which display Hindemith’s fully matured style.

Hindemith produced a decisively contrasting alternative to Wagner’s musical dramas with his comic opera Neues vom Tage (1828-29), composed in the style of the “topical opera” of the 1920s. Hindemith’s operas frequently contain stylistic elements of parody which can also be detected in his ironical chamber music works such as Minimax (1923) or the Ouvertüre zum „Fliegenden Holländer“ („wie sie eine Kurkapelle morgens um 7 am Brunnen vom Blatt spielt“) [Overture to the “Flying Dutchman” (“as played at sight by the spa orchestra at seven o’clock in the morning at the fountain”)]. Hindemith made a substantial contribution to the genre of music theatre with his operas Cardillac (1925-26/1952), Mathis der Maler (1934-35) and Die Harmonie der Welt (1956-57).

Hindemith received honorary doctorates from numerous universities including the University of Frankfurt (1949), the FU Berlin (1950) and Oxford University (1954). He also received the Bach Prize from the city of Hamburg (1951), the Order pour le mérite (1952), the Sibelius Prize (1955), the Kunstpreis from the federal state of North-Rhine Westphalia (1958) and the Bazlan Prize (1963). Since 2000, the city of Hanau has commemorated “the lifework of this illustrious artist” with the biennial awarding of the Paul Hindemith Prize of the city of Hanau.

1895
Born on 16 Nov. in Hanau
1902
Received musical instruction in Mühlheim am Main from his father and Eugen Reinhardt
1907
Violin pupil of Anna Hegner in Frankfurt/Main
1908
Violin pupil of Adolf Rebner; Beginning in winter semester of 1908, studies at Dr. Hoch's Conservatory in Frankfurt
1910
Performance together with his sister Toni (born 1898) and his brother Rudolf (born 1900) as "Frankfurt Children´s Trio"
1912
Composition pupil of Arnold Mendelssohn; 1913 Composition instruction given by Bernhard Sekles
1914
Member or the Rebner Quartet, first as violinist, later on the viola
1915
Publically performs Beethoven´s violin concerto. First solo violinist of Opera house Orchestra in Frankfurt; father dies in battle in Flanders
1918
Regimental musician in Alsace and Flanders
1921
2 June: Composition evening in Frankfurt; Schott takes over the publication of Hindemith´s works
1921
First performance of Quartet Opus 16 during the "Donaueschinger Chamber Music Performances for the Advancement of Contemporary Art und Music". Scandal upon the performance of the one-act opera "Mörder, Hoffnung der Frauen" and the play "Das Nusch-Nuschi" under the direction of Fritz Busch in Stuttgart
1922

The founding of the Amar Quartet with Hindemith on the viola

1923
Resigns position as first solo violinist in Frankfurt; under contract with Schott. Member of the Programme Committee of the Donaueschingen Chamber Music Days. Begin of extensive concert tours with the Amar Quartet throughout Europe
1924
Hindemith marries Gertrud Rottenberg
1927
Appointment to the College of Music (Hochschule für Musik) in Berlin
1933
Being attributes to "cultural Bolshevism" Hindemith music is banned from concert programmes in Germany
1934
12 March: First performance of the symphony "Mathis der Maler" conducted by Wilhelm Furtwängler; November: Furtwängler puplishes an article entitled "The Case of Hindemith" to which Goebbels responds in a speech at the Berlin Portpalast
1935
Hindemith takes extended leave from the State College of Music Berlin; April/May: First tour of Turkey
1936
March/May: Second tour of Turkey; Performances in Germany forbidden
1937
February and September: Third and fourth tour of Turkey; March-April: First tour of the U.S.A. (East Coast)
1938
February-April: Second tour of the U.S.A.; September: Emigration to Switzerland
1939
Third tour of U.S.A.
1940
February: Emigration to the U.S.A.; appointed to Yale University in New Haven
1941
Instructs summer course at the Berkshire Festival (Tanglewood) on music of the Middle Ages
1945
Concert of the Collegium Musicum of Yale University playing pieces by composers from Perotinus to Bach
1946
Hindemith becomes an American citizen
1947
April-September: First trip to Europe since Emigration; reunion with mother and meeting with Schott publishers Ludwig and Willy Strecker
1948-49
August-March: Second trip to Europe
1949-50
Lectures as Professor of Poetry at Harvard University
1949
January-February: Lecture tour through Germany by appointment of the American Military Occupation Government; granted honorary degree from Frankfurt University
1950
September: Gives speech on Bach in Hamburg (Johann Sebastian Bach. Ein vepflichtendes Erbe); Receives honorary degree from the Free University of Berlin
1951-53
Teaching assignments in Zurich and Yale concurrently
1951
Recipient of Bach Prize of the City of Hamburg; Appointment to the University of Zürich (Switzerland) as professor of music theory, composition and music education
1952
Member of the order Pour le mérite
1953-63
Frequent concert tours as conductor
1953
Hindemith takes up residence in Blonay, Switzerland, on Lake Geneva
1954
July-November: South American tour; granted honorary degree by Oxford University
1955
Sibelius Prize
1956
April/May: Tour of Japan with the Vienna Philharmonic Orchestra
1957
Hindemith resigns teaching positioin in Zurich
1958
Arts Award of North Rhine Westphalia
1963
June: Lecture "Sterbende Gewässer" at the yearly meeting of the order "Pour le mérite" in Bonn; Balzan Prize; Hindemith dies on 28 December 1963 in Frankfurt/Main
Chef d'orchestre: Christian Ehwald
Orchestre: Guiyang Symphony Orchestra
2019-12-13 | Guiyang (Chine, République populaire de), Grand Theater — 20:00
Chef d'orchestre: Katsuto Yokoshima
Orchestre: Miyamae Philharmonic Orchestra
2019-12-15 | Kawasaki (Japon), Miyamae Shiminkan — 14:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2019-12-31 | Berlin (Allemagne), Tempodrom — 15:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2019-12-31 | Berlin (Allemagne), Tempodrom — 19:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2020-01-01 | Berlin (Allemagne), Tempodrom — 18:00
Chef d'orchestre: Marc Piollet
Orchestre: Junge Sinfonie Berlin
2020-01-07 | Berlin (Allemagne), Philharmonie, Großer Saal — 20:00
2020-01-09 | Berlin (Allemagne), Pierre Boulez Saal
Chef d'orchestre: Leonard Slatkin
Orchestre: Orquesta Sinfónica de Castilla y León
2020-01-10 | Valladolid (Espagne), Centro Cultural Miguel Delibes — 20:00
Chef d'orchestre: Joseph Trafton
2020-01-10 | Hagen (Allemagne), Theater, Großes Haus — 19:30
Chef d'orchestre: Leonard Slatkin
Orchestre: Orquesta Sinfónica de Castilla y León
2020-01-11 | Valladolid (Espagne), Centro Cultural Miguel Delibes — 20:00
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-11 | Wien (Autriche), Musikverein
Chef d'orchestre: Joseph Trafton
2020-01-16 | Hagen (Allemagne), Theater, Großes Haus — 19:30
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-16 | Luxembourg (Luxembourg), Philharmonie
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-17 | Paris (France), Philharmonie de Paris
Chef d'orchestre: Nicolas Chalvin
Orchestre: Orchestre des Pays de Savoie
2020-01-18 | Chambery (France), Espace Malraux — 20:00
2020-01-20 | London (Royaume Uni), Wigmore Hall — 19:30
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-20 | Firenze (Italie), Teatro del Maggio Musicale
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-22 | Milano (Italie), Teatro alla Scala
Chef d'orchestre: Ruth Reinhardt
Orchestre: Malmö SymfoniOrkester
2020-01-23 | Malmö (Suède), Malmö Live Konserthus — 19:00
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-23 | Lugano (Italie), LAC Sala Teatro
Chef d'orchestre: Christoph Adt
Orchestre: Nürnberger Symphoniker
2020-01-24 | Nürnberg (Allemagne), Kongresshalle — 20:00
Chef d'orchestre: Joseph Trafton
2020-01-26 | Hagen (Allemagne), Theater, Großes Haus — 18:00
Chef d'orchestre: Christoph Adt
Orchestre: Nürnberger Symphoniker
2020-01-26 | Nürnberg (Allemagne), Kongresshalle — 19:00
Chef d'orchestre: Gerhard Markson
Orchestre: Philharmonisches Orchester Freiburg
2020-01-28 | Freiburg (Allemagne), Theater — 20:00
Chef d'orchestre: Thomas Guggeis
2020-01-31 | Berlin (Allemagne), Pierre Boulez Saal — 19:30
Chef d'orchestre: Peter Bauer
Orchestre: Universitätsorchester Konstanz
2020-02-03 | Konstanz (Allemagne), Universität, Audimax — 20:15
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-07 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Peter Bay
Orchestre: Austin Symphony Orchestra
2020-02-07 | Austin, TX (Etats Unis d' Amérique), Long Center for Perfoming Arts, Dell Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-07 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-08 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Peter Bay
Orchestre: Austin Symphony Orchestra
2020-02-08 | Austin, TX (Etats Unis d' Amérique), Long Center for Perfoming Arts, Dell Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-08 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-09 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-09 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Stefan Solyom
2020-02-11 | Helsingborg (Finlande), Konserthus — 10:30
Chef d'orchestre: Stefan Solyom
2020-02-11 | Helsingborg (Finlande), Konserthus — 12:30
Chef d'orchestre: Stefan Solyom
2020-02-12 | Helsingborg (Finlande), Konserthus — 9:00
Chef d'orchestre: Stefan Solyom
2020-02-12 | Helsingborg (Finlande), Konserthus — 10:30
Chef d'orchestre: Stefan Solyom
2020-02-13 | Helsingborg (Finlande), Konserthus — 9:00
Orchestre: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
2020-03-04 | Forbach (Allemagne), Burghof
2020-03-04 | Herford (Allemagne), Philharmonie, Studio
Orchestre: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
2020-03-08 | Saarbrücken (Allemagne), SWR Studio — 11:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-13 | Dresden (Allemagne), Semperoper — 19:00 | Reprise
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-16 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-19 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-19 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-20 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-21 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-22 | Dresden (Allemagne), Semperoper — 14:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-27 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-02 | Wien (Autriche), Staatsoper | Reprise
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-05 | Wien (Autriche), Staatsoper
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-08 | Wien (Autriche), Staatsoper
Orchestre: Kammerakademie Potsdam
2020-04-25 | Potsdam (Allemagne), Friedenskirche
Chef d'orchestre: Thomas Neuhoff
Orchestre: Gürzenich-Orchester Köln
2020-04-28 | Köln (Allemagne), Philharmonie
Chef d'orchestre: Jennifer Sacher Wiley
Orchestre: Jennifer Wiley
2020-05-02 | Carlisle,PA (Etats Unis d' Amérique), Carlisle Theatre
Chef d'orchestre: Jennifer Sacher Wiley
Orchestre: Jennifer Wiley
2020-05-03 | Carlisle,PA (Etats Unis d' Amérique), Carlisle Theatre
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-16 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Orchestre: Kammerakademie Potsdam
2020-05-17 | Köln (Allemagne), Philharmonie
2020-05-17 | Oxford (Royaume Uni), Holywell Music Room — 15:00
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-17 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-18 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-21 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-22 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-23 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Toby Thatcher
Orchestre: Farnborough Symphony Orchestra
2020-06-13 | Aldershot (Royaume Uni), Princes Hall — 19.45
Chef d'orchestre: Beau Benson
Orchestre: Oregon East Symphony
2020-06-13 | Pendleton,OR (Etats Unis d' Amérique), Vert Auditorium
Chef d'orchestre: Håkan Hardenberger
Orchestre: GrafeneggAcademy Orchestra
2020-07-12 | Grafenegg (Autriche), Wolkenturm — 20.00
2020-11-08 | Lugano (Suisse), Teatrostudio

Gallery

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  1. Suchen Sie eine gute Unterkunft

    Suchen Sie eine gute Unterkunft

    Kanon à 4 für Dr. Grotrian
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7355
    1,99 €  *
  2. Sönnlein, geh nicht fort

    Sönnlein, geh nicht fort

    Kanon à 2
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7356
    1,99 €  *
  3. Richard Donovan has birthday

    Richard Donovan has birthday

    Kanon à 5 für Richard Donovan
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7357
    1,99 €  *
  4. Sing, hevin imperial

    Sing, hevin imperial

    Kanon à 4
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7358
    1,99 €  *
  5. Dolorum solacium

    Dolorum solacium

    Kanon à 4 für Ernest Ansermet
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7359
    1,99 €  *
  6. Unusquisque eum cantum

    Unusquisque eum cantum

    Kanon à 3 für Eduard Preußner
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7360
    1,99 €  *
  7. Sine musica nulla disciplina

    Sine musica nulla disciplina

    Kanon à 3 für Werner Reinhart
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7361
    1,99 €  *
  8. Oh, Threats of Hell and Hopes of Paradise!

    Oh, Threats of Hell and Hopes of Paradise!

    Kanon à 4
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7362
    1,99 €  *
  9. Musica divinas laudes

    Musica divinas laudes

    Kanon à 3 für Elisabeth Sprague Coolidge
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella or with Windinstruments
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7363
    1,99 €  *
  10. Wir sind froh (sowieso)

    Wir sind froh (sowieso)

    Kanon à 6 für das Basler Kammerorchester
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7364
    1,99 €  *

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Profil

In general, the lack of contact in music between the producer and the consumer in our time is regrettable; a composer should only write when he knows for what purpose he is composing. The days of simply composing for oneself have perhaps now been lost for ever. (Paul Hindemith)

Paul Hindemith was born on 16.11.1895 in Hanau. He studied the violin and composition with Adolf Rebner, Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatory in Frankfurt/Main. He was only twenty when he was appointed as the leader of the Frankfurt Opera Orchestra. After the end of the First World War, he returned to Frankfurt and founded the Amar Quartet in which he played the viola from 1922 to 1929. In 1923, Hindemith became a member of the organisational committee for the Donaueschingen Music Festival: it was at this festival that he gained an initial reputation following the first performance of his String Quartet Op. 16. In 1927, he was appointed as professor for composition at the Hochschule für Musik in Berlin. His career as a composer reached a first peak at the beginning of the 1930s, but with the seizure of power by the National Socialists, his works were declared as “culturally bolshevist” and disappeared from concert programmes. Hindemith undertook a number of journeys to Turkey and the USA. In 1936, a final ban was issued for the performance of his works which provoked Hindemith to emigrate, initially to Switzerland. He subsequently relocated to the USA and acquired American nationality (1946). As a professor, he taught at Yale University from 1940 to 1953 and was a guest lecturer for poetry at the Harvard University in 1949/50. From 1951 to 1957, he was a professor for musicology at the Zurich University and settled in Blonay near Lake Geneva. Paul Hindemith died on 28 December 1963 in Frankfurt/Main.

Hindemith played a prominent role in music history, not only as one of the leading composers of the 20th century, but also as conductor, teacher and musical theorist. His oeuvre spans all genres: orchestral works, solo concertos, chamber music for a wide variety of instruments, choral works, lieder, operas and ballets. He was also the author of numerous books and essays, including the book on harmonic theory "Unterweisung im Tonsatz”, first published in 1937. His compositions take up a position within the contradictory contexts of avant-garde provocation, "Neue Sachlichkeit” [New Objectivity] and the search for a universally accepted musical language. While Kammermusik No.1 which was premiered in1922 in Donaueschingen was deliberately intended to provoke the bourgeois public with its wailing sirens, the later Kammermusik works which were composed up to 1927 display the transparent, contrapuntal and well-dosed harmony which chiefly characterised Hindemith’s works during his central creative phase. The Concerto for violin and orchestra from 1939 heralded a series of later solo concertos which display Hindemith’s fully matured style.

Hindemith produced a decisively contrasting alternative to Wagner’s musical dramas with his comic opera Neues vom Tage (1828-29), composed in the style of the “topical opera” of the 1920s. Hindemith’s operas frequently contain stylistic elements of parody which can also be detected in his ironical chamber music works such as Minimax (1923) or the Ouvertüre zum „Fliegenden Holländer“ („wie sie eine Kurkapelle morgens um 7 am Brunnen vom Blatt spielt“) [Overture to the “Flying Dutchman” (“as played at sight by the spa orchestra at seven o’clock in the morning at the fountain”)]. Hindemith made a substantial contribution to the genre of music theatre with his operas Cardillac (1925-26/1952), Mathis der Maler (1934-35) and Die Harmonie der Welt (1956-57).

Hindemith received honorary doctorates from numerous universities including the University of Frankfurt (1949), the FU Berlin (1950) and Oxford University (1954). He also received the Bach Prize from the city of Hamburg (1951), the Order pour le mérite (1952), the Sibelius Prize (1955), the Kunstpreis from the federal state of North-Rhine Westphalia (1958) and the Bazlan Prize (1963). Since 2000, the city of Hanau has commemorated “the lifework of this illustrious artist” with the biennial awarding of the Paul Hindemith Prize of the city of Hanau.

œuvre
Chronologie
1895
Born on 16 Nov. in Hanau
1902
Received musical instruction in Mühlheim am Main from his father and Eugen Reinhardt
1907
Violin pupil of Anna Hegner in Frankfurt/Main
1908
Violin pupil of Adolf Rebner; Beginning in winter semester of 1908, studies at Dr. Hoch's Conservatory in Frankfurt
1910
Performance together with his sister Toni (born 1898) and his brother Rudolf (born 1900) as "Frankfurt Children´s Trio"
1912
Composition pupil of Arnold Mendelssohn; 1913 Composition instruction given by Bernhard Sekles
1914
Member or the Rebner Quartet, first as violinist, later on the viola
1915
Publically performs Beethoven´s violin concerto. First solo violinist of Opera house Orchestra in Frankfurt; father dies in battle in Flanders
1918
Regimental musician in Alsace and Flanders
1921
2 June: Composition evening in Frankfurt; Schott takes over the publication of Hindemith´s works
1921
First performance of Quartet Opus 16 during the "Donaueschinger Chamber Music Performances for the Advancement of Contemporary Art und Music". Scandal upon the performance of the one-act opera "Mörder, Hoffnung der Frauen" and the play "Das Nusch-Nuschi" under the direction of Fritz Busch in Stuttgart
1922

The founding of the Amar Quartet with Hindemith on the viola

1923
Resigns position as first solo violinist in Frankfurt; under contract with Schott. Member of the Programme Committee of the Donaueschingen Chamber Music Days. Begin of extensive concert tours with the Amar Quartet throughout Europe
1924
Hindemith marries Gertrud Rottenberg
1927
Appointment to the College of Music (Hochschule für Musik) in Berlin
1933
Being attributes to "cultural Bolshevism" Hindemith music is banned from concert programmes in Germany
1934
12 March: First performance of the symphony "Mathis der Maler" conducted by Wilhelm Furtwängler; November: Furtwängler puplishes an article entitled "The Case of Hindemith" to which Goebbels responds in a speech at the Berlin Portpalast
1935
Hindemith takes extended leave from the State College of Music Berlin; April/May: First tour of Turkey
1936
March/May: Second tour of Turkey; Performances in Germany forbidden
1937
February and September: Third and fourth tour of Turkey; March-April: First tour of the U.S.A. (East Coast)
1938
February-April: Second tour of the U.S.A.; September: Emigration to Switzerland
1939
Third tour of U.S.A.
1940
February: Emigration to the U.S.A.; appointed to Yale University in New Haven
1941
Instructs summer course at the Berkshire Festival (Tanglewood) on music of the Middle Ages
1945
Concert of the Collegium Musicum of Yale University playing pieces by composers from Perotinus to Bach
1946
Hindemith becomes an American citizen
1947
April-September: First trip to Europe since Emigration; reunion with mother and meeting with Schott publishers Ludwig and Willy Strecker
1948-49
August-March: Second trip to Europe
1949-50
Lectures as Professor of Poetry at Harvard University
1949
January-February: Lecture tour through Germany by appointment of the American Military Occupation Government; granted honorary degree from Frankfurt University
1950
September: Gives speech on Bach in Hamburg (Johann Sebastian Bach. Ein vepflichtendes Erbe); Receives honorary degree from the Free University of Berlin
1951-53
Teaching assignments in Zurich and Yale concurrently
1951
Recipient of Bach Prize of the City of Hamburg; Appointment to the University of Zürich (Switzerland) as professor of music theory, composition and music education
1952
Member of the order Pour le mérite
1953-63
Frequent concert tours as conductor
1953
Hindemith takes up residence in Blonay, Switzerland, on Lake Geneva
1954
July-November: South American tour; granted honorary degree by Oxford University
1955
Sibelius Prize
1956
April/May: Tour of Japan with the Vienna Philharmonic Orchestra
1957
Hindemith resigns teaching positioin in Zurich
1958
Arts Award of North Rhine Westphalia
1963
June: Lecture "Sterbende Gewässer" at the yearly meeting of the order "Pour le mérite" in Bonn; Balzan Prize; Hindemith dies on 28 December 1963 in Frankfurt/Main
Représentations
Chef d'orchestre: Christian Ehwald
Orchestre: Guiyang Symphony Orchestra
2019-12-13 | Guiyang (Chine, République populaire de), Grand Theater — 20:00
Chef d'orchestre: Katsuto Yokoshima
Orchestre: Miyamae Philharmonic Orchestra
2019-12-15 | Kawasaki (Japon), Miyamae Shiminkan — 14:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2019-12-31 | Berlin (Allemagne), Tempodrom — 15:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2019-12-31 | Berlin (Allemagne), Tempodrom — 19:00
Chef d'orchestre: Cristian Macelaru
Orchestre: Deutsches Symphonie-Orchester Berlin
2020-01-01 | Berlin (Allemagne), Tempodrom — 18:00
Chef d'orchestre: Marc Piollet
Orchestre: Junge Sinfonie Berlin
2020-01-07 | Berlin (Allemagne), Philharmonie, Großer Saal — 20:00
2020-01-09 | Berlin (Allemagne), Pierre Boulez Saal
Chef d'orchestre: Leonard Slatkin
Orchestre: Orquesta Sinfónica de Castilla y León
2020-01-10 | Valladolid (Espagne), Centro Cultural Miguel Delibes — 20:00
Chef d'orchestre: Joseph Trafton
2020-01-10 | Hagen (Allemagne), Theater, Großes Haus — 19:30
Chef d'orchestre: Leonard Slatkin
Orchestre: Orquesta Sinfónica de Castilla y León
2020-01-11 | Valladolid (Espagne), Centro Cultural Miguel Delibes — 20:00
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-11 | Wien (Autriche), Musikverein
Chef d'orchestre: Joseph Trafton
2020-01-16 | Hagen (Allemagne), Theater, Großes Haus — 19:30
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-16 | Luxembourg (Luxembourg), Philharmonie
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-17 | Paris (France), Philharmonie de Paris
Chef d'orchestre: Nicolas Chalvin
Orchestre: Orchestre des Pays de Savoie
2020-01-18 | Chambery (France), Espace Malraux — 20:00
2020-01-20 | London (Royaume Uni), Wigmore Hall — 19:30
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-20 | Firenze (Italie), Teatro del Maggio Musicale
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-22 | Milano (Italie), Teatro alla Scala
Chef d'orchestre: Ruth Reinhardt
Orchestre: Malmö SymfoniOrkester
2020-01-23 | Malmö (Suède), Malmö Live Konserthus — 19:00
Chef d'orchestre: Riccardo Muti
Orchestre: Chicago Symphony Orchestra
2020-01-23 | Lugano (Italie), LAC Sala Teatro
Chef d'orchestre: Christoph Adt
Orchestre: Nürnberger Symphoniker
2020-01-24 | Nürnberg (Allemagne), Kongresshalle — 20:00
Chef d'orchestre: Joseph Trafton
2020-01-26 | Hagen (Allemagne), Theater, Großes Haus — 18:00
Chef d'orchestre: Christoph Adt
Orchestre: Nürnberger Symphoniker
2020-01-26 | Nürnberg (Allemagne), Kongresshalle — 19:00
Chef d'orchestre: Gerhard Markson
Orchestre: Philharmonisches Orchester Freiburg
2020-01-28 | Freiburg (Allemagne), Theater — 20:00
Chef d'orchestre: Thomas Guggeis
2020-01-31 | Berlin (Allemagne), Pierre Boulez Saal — 19:30
Chef d'orchestre: Peter Bauer
Orchestre: Universitätsorchester Konstanz
2020-02-03 | Konstanz (Allemagne), Universität, Audimax — 20:15
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-07 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Peter Bay
Orchestre: Austin Symphony Orchestra
2020-02-07 | Austin, TX (Etats Unis d' Amérique), Long Center for Perfoming Arts, Dell Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-07 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-08 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Peter Bay
Orchestre: Austin Symphony Orchestra
2020-02-08 | Austin, TX (Etats Unis d' Amérique), Long Center for Perfoming Arts, Dell Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-08 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-09 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Esa-Pekka Salonen
Orchestre: Los Angeles Philharmonic
2020-02-09 | Los Angeles, CA (Etats Unis d' Amérique), Walt Disney Concert Hall — 20:00
Chef d'orchestre: Stefan Solyom
2020-02-11 | Helsingborg (Finlande), Konserthus — 10:30
Chef d'orchestre: Stefan Solyom
2020-02-11 | Helsingborg (Finlande), Konserthus — 12:30
Chef d'orchestre: Stefan Solyom
2020-02-12 | Helsingborg (Finlande), Konserthus — 9:00
Chef d'orchestre: Stefan Solyom
2020-02-12 | Helsingborg (Finlande), Konserthus — 10:30
Chef d'orchestre: Stefan Solyom
2020-02-13 | Helsingborg (Finlande), Konserthus — 9:00
Orchestre: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
2020-03-04 | Forbach (Allemagne), Burghof
2020-03-04 | Herford (Allemagne), Philharmonie, Studio
Orchestre: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
2020-03-08 | Saarbrücken (Allemagne), SWR Studio — 11:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-13 | Dresden (Allemagne), Semperoper — 19:00 | Reprise
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-16 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-19 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-19 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-20 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Ruth Reinhardt
Orchestre: Indianapolis Symphony Orchestra
2020-03-21 | Indianapolis,IN (Etats Unis d' Amérique), Hilbert Circle Theatre
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-22 | Dresden (Allemagne), Semperoper — 14:00
Chef d'orchestre: Nathan Fifield
Orchestre: Sächsische Staatskapelle Dresden
2020-03-27 | Dresden (Allemagne), Semperoper — 19:00
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-02 | Wien (Autriche), Staatsoper | Reprise
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-05 | Wien (Autriche), Staatsoper
Chef d'orchestre: Franz Welser-Möst; Michael Boder, 2020
2020-04-08 | Wien (Autriche), Staatsoper
Orchestre: Kammerakademie Potsdam
2020-04-25 | Potsdam (Allemagne), Friedenskirche
Chef d'orchestre: Thomas Neuhoff
Orchestre: Gürzenich-Orchester Köln
2020-04-28 | Köln (Allemagne), Philharmonie
Chef d'orchestre: Jennifer Sacher Wiley
Orchestre: Jennifer Wiley
2020-05-02 | Carlisle,PA (Etats Unis d' Amérique), Carlisle Theatre
Chef d'orchestre: Jennifer Sacher Wiley
Orchestre: Jennifer Wiley
2020-05-03 | Carlisle,PA (Etats Unis d' Amérique), Carlisle Theatre
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-16 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Orchestre: Kammerakademie Potsdam
2020-05-17 | Köln (Allemagne), Philharmonie
2020-05-17 | Oxford (Royaume Uni), Holywell Music Room — 15:00
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-17 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Chef d'orchestre: Carlos Kalmar
Orchestre: Oregon Symphony
2020-05-18 | Portland,OR (Etats Unis d' Amérique), Arlene Schnitzer Concert Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-21 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-22 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Leonard Slatkin
Orchestre: Detroit Symphony Orchestra
2020-05-23 | Detroit,MI (Etats Unis d' Amérique), Orchestra Hall
Chef d'orchestre: Toby Thatcher
Orchestre: Farnborough Symphony Orchestra
2020-06-13 | Aldershot (Royaume Uni), Princes Hall — 19.45
Chef d'orchestre: Beau Benson
Orchestre: Oregon East Symphony
2020-06-13 | Pendleton,OR (Etats Unis d' Amérique), Vert Auditorium
Chef d'orchestre: Håkan Hardenberger
Orchestre: GrafeneggAcademy Orchestra
2020-07-12 | Grafenegg (Autriche), Wolkenturm — 20.00
2020-11-08 | Lugano (Suisse), Teatrostudio
Galerie

Gallery

Produits

par page
  1. Suchen Sie eine gute Unterkunft

    Suchen Sie eine gute Unterkunft

    Kanon à 4 für Dr. Grotrian
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7355
    1,99 €  *
  2. Sönnlein, geh nicht fort

    Sönnlein, geh nicht fort

    Kanon à 2
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7356
    1,99 €  *
  3. Richard Donovan has birthday

    Richard Donovan has birthday

    Kanon à 5 für Richard Donovan
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7357
    1,99 €  *
  4. Sing, hevin imperial

    Sing, hevin imperial

    Kanon à 4
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7358
    1,99 €  *
  5. Dolorum solacium

    Dolorum solacium

    Kanon à 4 für Ernest Ansermet
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7359
    1,99 €  *
  6. Unusquisque eum cantum

    Unusquisque eum cantum

    Kanon à 3 für Eduard Preußner
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7360
    1,99 €  *
  7. Sine musica nulla disciplina

    Sine musica nulla disciplina

    Kanon à 3 für Werner Reinhart
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7361
    1,99 €  *
  8. Oh, Threats of Hell and Hopes of Paradise!

    Oh, Threats of Hell and Hopes of Paradise!

    Kanon à 4
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : englisch
    N° Réf. : ED 9136 Q7362
    1,99 €  *
  9. Musica divinas laudes

    Musica divinas laudes

    Kanon à 3 für Elisabeth Sprague Coolidge
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella or with Windinstruments
    Édition : Partition
    Langue : lateinisch
    N° Réf. : ED 9136 Q7363
    1,99 €  *
  10. Wir sind froh (sowieso)

    Wir sind froh (sowieso)

    Kanon à 6 für das Basler Kammerorchester
    Edition à télécharger
    Compositeur : Hindemith, Paul
    Numéro de volume : Band 1
    Instrumentation : choir a cappella
    Édition : Partition
    Langue : deutsch
    N° Réf. : ED 9136 Q7364
    1,99 €  *

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