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Victor  Ekimovsky

Né: 12 septembre 1947
Pays d'origine: Russie
Upcoming :
Chef d'orchestre: Mark Dupere
Orchestre: Lawrence Symphony Orchestra
2019-11-17 | Appleton, WI (Etats Unis d' Amérique), Lawrence Memorial Chapel — 15:00
Victor Ekimovsky attended the Moscow Gnessin Music School, and subsequently studied composition with A. Khachaturian and musicology with K. Rosenschild at the Gnessin Institute. He also gained a doctorate at the Leningrad Conservatory for a thesis entitled Olivier Messiaen. Life and Works. (Moscow, 1987).
 
Ekimovsky’s music has created a stir among composers in Moscow since the 1970s on account of its unusual imaginative power, its inventive structural ideas and innovative instrumental writing. Ekimovsky, unlike other contemporary Russian composers, has continued to be a faithful adherent of “New Music” and has not succumbed to the temptations of the “post-modern” style. His works employ the whole arsenal of post-war avant-garde techniques – from dodecaphony to instrumental theatre. The principal characteristic of his works is their unique quality – none of them bears a resemblance to any other. They are all based on or have a specific and frequently surprising idea or ensemble, e.g. Balletto for a conductor and variable ensemble (1974), The Trumpets of Jericho for 30 brass instruments (1977) or Doppler-Effect for 100 performers, to be performed outdoors (1997).
 
Ekimovsky has written about 100 compositions. The works for orchestra include Lyrical Digressions (1971), Sublimations (1971), Symphonic Dances (piano concerto, 1993), Attalea princeps (violin concerto, 2000), Siamesisches Konzert (2005), The Scarlet Flower (2008); for smaller ensembles Kammervariationen (1974), Cantus figuralis (1980), Mandala (1983), The Mirror of Avicenna (1995), Graffiti (1998) and Remake (2004); for piano Farewell (1980), Sonata con Marcia funebre (1981), Mondscheinsonate (1993), Komposition 43 (1986) and Vers libre (for 2 pianos, 1999); for percussion The Assumption (1989) and 27 Destructions (1995); and for small ensembles Stanzas (1984) and Up in the Hunting Dogs (1986). Ekimovsky does not assign opus numbers to his works, preferring to call them “Composition” No. ...
 
In addition to being a composer, Ekimovsky has also worked as a musicologist, editor and impresario. Since 1996, when he succeeded Edison Denisov, he has been president of the Association for Contemporary Music (ASM). And he has written a highly unusual Automonographie (Moscow, 2008), which, like Rimsky- Korsakov’s famous “Chronicle of My Musical Life”, will be an important source for music historians about music in Moscow during the last third of the 20th century.
 
Many of Ekimovsky’s works have been commissioned by well-known performers and ensembles (Ensemble Modern, the Jean-Marie Londeix saxophone ensemble, Petja Kaufman, Harry Sparnaay) and have been performed at noted international festivals (Wien Modern, Warschauer Herbst, Zagreb Biennale, Almeida London, Alternativa Moskau).
Chef d'orchestre: Mark Dupere
Orchestre: Lawrence Symphony Orchestra
2019-11-17 | Appleton, WI (Etats Unis d' Amérique), Lawrence Memorial Chapel — 15:00

par page
  1. Verse for the End of the Century

    Verse for the End of the Century

    for soprano, bass clarinet (B) and percussion (1 player)
    Edition à télécharger
    Compositeur : Ekimovsky, Victor
    Instrumentation : voice, bass clarinet (B), percussion (1 player) (Cassa, 4 bongo drums, T-tom, T-ro, P-tti sosp. Grande e medio, Tam-t)
    Édition : Partition, reproduction of the original manuscript of the composer
    Langue : russe
    N° Réf. : BEL 678 Q8209
    11,99 €  *
  2. Pas de deux

    Pas de deux

    for piano
    Edition à télécharger
    Compositeur : Ekimovsky, Victor
    Instrumentation : piano
    Édition : Edition séparée
    N° Réf. : BEL 852 Q10908
    0,99 €  *
  3. Graffiti

    Graffiti

    (tunnel at the Oppenheimer Landstraße in Frankfurt/M.)
    Compositeur : Ekimovsky, Victor
    Instrumentation : 7 musiciens (hautbois, clarinette, basson, piano, Marimba, violon et violoncelle)
    Édition : Partition et parties, reproduction of the original manuscript of the composer
    N° Réf. : BEL 628
    24,00 €  *
  4. Symphony No 4

    Symphony No 4

    Compositeur : Tchaïkovski, Piotr I.
    op. 36
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 689
    69,00 €  *
  5. Symphony No 5

    Symphony No 5

    Compositeur : Tchaïkovski, Piotr I.
    op. 64
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 690
    69,00 €  *
  6. Symphony No 6

    Symphony No 6

    "Pathétique"
    Compositeur : Tchaïkovski, Piotr I.
    op. 74
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 691
    69,00 €  *
  7. Romeo and Juliet

    Romeo and Juliet

    Overture
    Compositeur : Tchaïkovski, Piotr I.
    Instrumentation : orchestre
    Édition : Partition
    N° Réf. : BEL 667
    49,00 €  *
  8. Francesca da Rimini

    Francesca da Rimini

    Fantasy
    Compositeur : Tchaïkovski, Piotr I.
    op. 32
    Instrumentation : orchestre
    Édition : Partition
    N° Réf. : BEL 668
    59,00 €  *
  9. The Nutcracker

    The Nutcracker

    Orchestral Suite
    Compositeur : Tchaïkovski, Piotr I.
    op. 71a
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 700
    49,00 €  *
  10. Verse for the End of the Century

    Verse for the End of the Century

    pour soprano, clarinette basse et percussion
    Compositeur : Ekimovsky, Victor
    Instrumentation : chant, clarinette basse (B), batterie (1 musicien) (Cassa, 4 tambours bongo, T-tom, T-ro, P-tti sosp. Grande e medio, Tam-t)
    Édition : Partition, reproduction of the original manuscript of the composer
    Langue : russe
    N° Réf. : BEL 678
    14,50 €  *

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Profil
Victor Ekimovsky attended the Moscow Gnessin Music School, and subsequently studied composition with A. Khachaturian and musicology with K. Rosenschild at the Gnessin Institute. He also gained a doctorate at the Leningrad Conservatory for a thesis entitled Olivier Messiaen. Life and Works. (Moscow, 1987).
 
Ekimovsky’s music has created a stir among composers in Moscow since the 1970s on account of its unusual imaginative power, its inventive structural ideas and innovative instrumental writing. Ekimovsky, unlike other contemporary Russian composers, has continued to be a faithful adherent of “New Music” and has not succumbed to the temptations of the “post-modern” style. His works employ the whole arsenal of post-war avant-garde techniques – from dodecaphony to instrumental theatre. The principal characteristic of his works is their unique quality – none of them bears a resemblance to any other. They are all based on or have a specific and frequently surprising idea or ensemble, e.g. Balletto for a conductor and variable ensemble (1974), The Trumpets of Jericho for 30 brass instruments (1977) or Doppler-Effect for 100 performers, to be performed outdoors (1997).
 
Ekimovsky has written about 100 compositions. The works for orchestra include Lyrical Digressions (1971), Sublimations (1971), Symphonic Dances (piano concerto, 1993), Attalea princeps (violin concerto, 2000), Siamesisches Konzert (2005), The Scarlet Flower (2008); for smaller ensembles Kammervariationen (1974), Cantus figuralis (1980), Mandala (1983), The Mirror of Avicenna (1995), Graffiti (1998) and Remake (2004); for piano Farewell (1980), Sonata con Marcia funebre (1981), Mondscheinsonate (1993), Komposition 43 (1986) and Vers libre (for 2 pianos, 1999); for percussion The Assumption (1989) and 27 Destructions (1995); and for small ensembles Stanzas (1984) and Up in the Hunting Dogs (1986). Ekimovsky does not assign opus numbers to his works, preferring to call them “Composition” No. ...
 
In addition to being a composer, Ekimovsky has also worked as a musicologist, editor and impresario. Since 1996, when he succeeded Edison Denisov, he has been president of the Association for Contemporary Music (ASM). And he has written a highly unusual Automonographie (Moscow, 2008), which, like Rimsky- Korsakov’s famous “Chronicle of My Musical Life”, will be an important source for music historians about music in Moscow during the last third of the 20th century.
 
Many of Ekimovsky’s works have been commissioned by well-known performers and ensembles (Ensemble Modern, the Jean-Marie Londeix saxophone ensemble, Petja Kaufman, Harry Sparnaay) and have been performed at noted international festivals (Wien Modern, Warschauer Herbst, Zagreb Biennale, Almeida London, Alternativa Moskau).
Représentations
Chef d'orchestre: Mark Dupere
Orchestre: Lawrence Symphony Orchestra
2019-11-17 | Appleton, WI (Etats Unis d' Amérique), Lawrence Memorial Chapel — 15:00
Produits

par page
  1. Verse for the End of the Century

    Verse for the End of the Century

    for soprano, bass clarinet (B) and percussion (1 player)
    Edition à télécharger
    Compositeur : Ekimovsky, Victor
    Instrumentation : voice, bass clarinet (B), percussion (1 player) (Cassa, 4 bongo drums, T-tom, T-ro, P-tti sosp. Grande e medio, Tam-t)
    Édition : Partition, reproduction of the original manuscript of the composer
    Langue : russe
    N° Réf. : BEL 678 Q8209
    11,99 €  *
  2. Pas de deux

    Pas de deux

    for piano
    Edition à télécharger
    Compositeur : Ekimovsky, Victor
    Instrumentation : piano
    Édition : Edition séparée
    N° Réf. : BEL 852 Q10908
    0,99 €  *
  3. Graffiti

    Graffiti

    (tunnel at the Oppenheimer Landstraße in Frankfurt/M.)
    Compositeur : Ekimovsky, Victor
    Instrumentation : 7 musiciens (hautbois, clarinette, basson, piano, Marimba, violon et violoncelle)
    Édition : Partition et parties, reproduction of the original manuscript of the composer
    N° Réf. : BEL 628
    24,00 €  *
  4. Symphony No 4

    Symphony No 4

    Compositeur : Tchaïkovski, Piotr I.
    op. 36
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 689
    69,00 €  *
  5. Symphony No 5

    Symphony No 5

    Compositeur : Tchaïkovski, Piotr I.
    op. 64
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 690
    69,00 €  *
  6. Symphony No 6

    Symphony No 6

    "Pathétique"
    Compositeur : Tchaïkovski, Piotr I.
    op. 74
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 691
    69,00 €  *
  7. Romeo and Juliet

    Romeo and Juliet

    Overture
    Compositeur : Tchaïkovski, Piotr I.
    Instrumentation : orchestre
    Édition : Partition
    N° Réf. : BEL 667
    49,00 €  *
  8. Francesca da Rimini

    Francesca da Rimini

    Fantasy
    Compositeur : Tchaïkovski, Piotr I.
    op. 32
    Instrumentation : orchestre
    Édition : Partition
    N° Réf. : BEL 668
    59,00 €  *
  9. The Nutcracker

    The Nutcracker

    Orchestral Suite
    Compositeur : Tchaïkovski, Piotr I.
    op. 71a
    Instrumentation : orchestre
    Édition : Partition, with editorial comments
    N° Réf. : BEL 700
    49,00 €  *
  10. Verse for the End of the Century

    Verse for the End of the Century

    pour soprano, clarinette basse et percussion
    Compositeur : Ekimovsky, Victor
    Instrumentation : chant, clarinette basse (B), batterie (1 musicien) (Cassa, 4 tambours bongo, T-tom, T-ro, P-tti sosp. Grande e medio, Tam-t)
    Édition : Partition, reproduction of the original manuscript of the composer
    Langue : russe
    N° Réf. : BEL 678
    14,50 €  *

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