Schott Music

Aller au contenu principal »

Language
 
Panier (0 article)
Mon panier

Votre panier est vide.

...called dusk II

...called dusk II

for string quartet


  • Instrumentation: string quartet
  • Édition: Partition et parties
  • N° Réf.: ED 21351 Q20907
46,99 €  *
19% taxe inclut

Edition à télécharger

- +
 
Description
...called dusk II for string quartet draws its inspiration from a line in Samuel Beckett’s short story Lessness: 'Figment dawn dispeller of figments and the other called dusk'.

The work is a kind of double Chaconne, each part of which contains 26 chords based on specific permutations of fundamental notes and their harmonics. Each of the parts pass through alternating, harmonically contrasted planes, becoming entwined in the manner of a chimera through their rhythmic structure and dynamics. This intermittently produces a sort of ‘inner voice’ which runs through all four instruments. The fundamental notes and harmonics separate during the progress of the composition, becoming independent and then disintegrating. The consonant harmony resulting from the amalgamation of the two planes ultimately collapses into a rigid motor-like linearity. Detlev Müller-Siemens
Détails
Année de composition: 2011
Difficulté: difficile
Durée de la performance: 12'0"
Maison d'édition: SCHOTT MUSIC GmbH & Co KG, Mainz (001)
Nombre de pages: 96
Droits de livraison: pour le monde entier
...called dusk II for string quartet draws its inspiration from a line in Samuel Beckett’s short story Lessness: 'Figment dawn dispeller of figments and the other called dusk'.

The work is a kind of double Chaconne, each part of which contains 26 chords based on specific permutations of fundamental notes and their harmonics. Each of the parts pass through alternating, harmonically contrasted planes, becoming entwined in the manner of a chimera through their rhythmic structure and dynamics. This intermittently produces a sort of ‘inner voice’ which runs through all four instruments. The fundamental notes and harmonics separate during the progress of the composition, becoming independent and then disintegrating. The consonant harmony resulting from the amalgamation of the two planes ultimately collapses into a rigid motor-like linearity. Detlev Müller-Siemens
Année de composition: 2011
Difficulté: difficile
Durée de la performance: 12'0"
Maison d'édition: SCHOTT MUSIC GmbH & Co KG, Mainz (001)
Nombre de pages: 96
Droits de livraison: pour le monde entier