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Konzertouvertüre für Orchester


  • Instrumentation: orchestra
  • Édition: Partition d'étude
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Description
It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar ‘stir and rhythmic pressure’ (Widmann) with these economical means.
Détails
Année de composition: 2008
Auftragswerk : Auftragswerk des Bayerischen Rundfunks
Durée de la performance: 12'0"
Maison d'édition: SCHOTT MUSIC GmbH & Co KG, Mainz (001)
Nombre de pages: 78
Séries: Music Of Our Time
Droits de livraison: pour le monde entier
It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar ‘stir and rhythmic pressure’ (Widmann) with these economical means.
Année de composition: 2008
Auftragswerk : Auftragswerk des Bayerischen Rundfunks
Durée de la performance: 12'0"
Maison d'édition: SCHOTT MUSIC GmbH & Co KG, Mainz (001)
Nombre de pages: 78
Séries: Music Of Our Time
Droits de livraison: pour le monde entier
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