Exploring Jazz Guitar

Introduction
1. Static Minor Triads
The Minor 7tch Chord & Arpeggio
The Aeolian Mode
The Dorian Mode
Minor Jam
Checkpoint
Assignments & Improvisation Tips
Pentatonic Superimposition
The Harmonic Minor
The Jazz Melodic Minor
Identity Crisis
Checkpoint
Assignments & Improvisation Tips
2. Static Dominant 7tch Chords
The Dominant 7th Chord & Arpeggio
The Mixolydian Mode
Dorian Superimposition
Seventh Heaven
Checkpoint
Assignments & Improvisation Tips
The Phrygian Dominant Mode
The Altered Scale
Secrets
Checkpoint
Assignments & Improvisation Tips
3. Static Major 7th Chords
The Major 7th Chord & Arpeggio
The Major Scale
The Major Pentatonic
Pentatonic Superimposition
Happy To Be Blue
Checkpoint
Assignments & Improvisation Tips
The Lydian Mode
Using Pentatonic Superimposition To Create Lydian Sounds
Winter Sun
Checkpoint
Assignments & Improvisation Tips
4. The II-V-I
The Major II-V-I
Major II-V-I Guide Tones
Major II-V-I Arpeggios
Hitting The Changes
Checkpoint
Assignments & Improvisation Tips
The Minor II-V-I
Minor II-V-I Licks
Creating Tension
Three Way Freeway
Checkpoint
Assignments & Improvisation Tips
5. The Jazz Blues Progression
The Basic Blues Progression
The Major Pentatonic
The Mixolydian Mode
The Basic Jazz 12-Bar
Sunnyside Up
Checkpoint
Assignments & Improvisation Tips
Modulating To Chord IV
The V17 Chord
The Diminished Chord
Mr. Smith Called
Checkpoint
Assignments & Improvisation Tips
6. Adding Colour - The Minor 9th
The Dominant 9th
Dhe Major 9th
Using the 7th Chords To Create 9th Chords
The Dominant 11th Chord
Wake-Up Call
Checkpoint
Assignments & Improvisation Tips
The Dominant 7th Minor 9th Chord
The Dominant 7th Augmented 9th Chord
Into Somewhere
Checkpoint
Assignments & Improvisation Tips
7. Time Signatures & Rhythms
The Jazz Waltz
3/4 Comping Rhythms
Compound Time
6/8 Comping Rhythms
Three Into Six
Checkpoint
Assignments & Improvisation Tips
The Bossa Nova
The Jazz Samba
Double Stop Comping
The Latin Quarter
Checkpoint
Assignments & Improvsation Tips
8. Turnarounds & Rhythm Changes
The I-VI-II-V Progression
Introducing Non-Diatonic Chords
Changing Chord II To A Secondary Dominant
Replacing Chord I With Chord III
Using III7 To Create A Series Of Dominant 7ths
The Twister
Checkpoint
Assignments & Improvisation Tips
The Minor I-VI-II-V Progression
Substituting Secondary Dominants On VI & II
Minor Detail
Checkpoint
Assignments & Improvisation Tips
Conclusion
Suggested Listening
Index
Audio Track Index