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"... I will see a rose at the end of the path..."

"... I will see a rose at the end of the path..."

for string quartet


  • Instrumentation: string quartet
  • Édition: Partition et parties
  • N° Réf.: BEL 701 Q12543
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Description

The title is a quote from the essay 'The Rose of Paracelsus' by Jorge Luis Borges. This parable is about the secret of the creation of a miracle, the disappearance and reappearance of the rose as well as the way to success and the way as reward.
The Quartet consists of eight movements and a postscriptum. All odd movements float inside a sphere of maximum distance (lontano); they do not have to 'sound', they shall only be there and shine – on the verge of appearance and disappearance of sound. All even movements belong to a sphere of maximum presence and tension (espressivo); they are based on a spectrum of chromatic and micro-chromatic intervals. The compositional principle of the mostly broken monody makes the four instruments often sound like a 'mono instrument'. (A. Raskatov)
The work received the composition award of the Salzburg Easter Festival in 1998.

Détails
Année de composition: 1994
Auftragswerk : commissioned by Quatuor Danel
Contenu du texte: I Lontano – II Espressivo – III Lontano – IV Espressivo – V Lontano – VI Espressivo – VII Lontano, quasi eco – VIII Espressivo – IX Postscriptum
  
Difficulté: difficile
Durée de la performance: 30'0"
Maison d'édition: M.P. Belaieff Musikverlag (144)
Nombre de pages: 140

The title is a quote from the essay 'The Rose of Paracelsus' by Jorge Luis Borges. This parable is about the secret of the creation of a miracle, the disappearance and reappearance of the rose as well as the way to success and the way as reward.
The Quartet consists of eight movements and a postscriptum. All odd movements float inside a sphere of maximum distance (lontano); they do not have to 'sound', they shall only be there and shine – on the verge of appearance and disappearance of sound. All even movements belong to a sphere of maximum presence and tension (espressivo); they are based on a spectrum of chromatic and micro-chromatic intervals. The compositional principle of the mostly broken monody makes the four instruments often sound like a 'mono instrument'. (A. Raskatov)
The work received the composition award of the Salzburg Easter Festival in 1998.

Année de composition: 1994
Auftragswerk : commissioned by Quatuor Danel
Contenu du texte: I Lontano – II Espressivo – III Lontano – IV Espressivo – V Lontano – VI Espressivo – VII Lontano, quasi eco – VIII Espressivo – IX Postscriptum
  
Difficulté: difficile
Durée de la performance: 30'0"
Maison d'édition: M.P. Belaieff Musikverlag (144)
Nombre de pages: 140