Lieferzeit
2-3 Tage
Matériel en location / d'exécution
Konzert
für Klavier und Orchester
piano et orchestre
Edition: Matériel d'exécution
Détails du produit
Description
To write a concerto for piano and orchestra has been one of my greatest dreams since my career as a musician began. The genre of piano concerto which I have often experienced intensely thanks to my husband who is a pianist, is, without any doubt, one of the most popular and most interesting genres of all, having always inspired composers in the past to create very special and extraordinary works.
It was with a mixture of pleasure, curiosity and great respect that I embarked on the project to write my first piano concerto. It took some time to drop my respect for this genre; during my work, however, I was caught up more and more in its current. I really enjoyed probing the musical possibilities of the concertante style existing between piano and orchestra. The concerto does not deny that it is written absolutely in the tradition of 19th and 20th century piano concertos. I did not tackle the task in order to 'rediscover America'. I just wanted to write a work that gives rise to joy. Joy in the music, joy in playing, joy of life – as I feel it. I am very grateful to Heinrich Schiff and the Musikkollegium Winterthur for the commission and the suggestion to write this piano concerto. Tatjana Komarova
It was with a mixture of pleasure, curiosity and great respect that I embarked on the project to write my first piano concerto. It took some time to drop my respect for this genre; during my work, however, I was caught up more and more in its current. I really enjoyed probing the musical possibilities of the concertante style existing between piano and orchestra. The concerto does not deny that it is written absolutely in the tradition of 19th and 20th century piano concertos. I did not tackle the task in order to 'rediscover America'. I just wanted to write a work that gives rise to joy. Joy in the music, joy in playing, joy of life – as I feel it. I am very grateful to Heinrich Schiff and the Musikkollegium Winterthur for the commission and the suggestion to write this piano concerto. Tatjana Komarova
Orchestral Cast
2 · 2 · 2 · 2 - 4 · 2 · 1 · 0 - P. S (hg. Beck. · Tamt. · kl. Tr. · gr. Tr. · 3 Woodbl.) (3 Spieler) - Str.
Contenu
I Träumerisch · Unruhig
II Adagio
III Feurig und pikant
II Adagio
III Feurig und pikant
Plus d'infos
Titre:
Konzert
für Klavier und Orchester
Edition:
Matériel d'exécution
Maison d'édition:
Schott Music
Year of composition:
2000 - 2001
Durée:
20 ′
Première:
9 mai 2001 · Winterthur (CH)
Stadthaus
Lars Vogt, Klavier · Musikalische Leitung: Heinrich Schiff · Musikkollegium Winterthur
Stadthaus
Lars Vogt, Klavier · Musikalische Leitung: Heinrich Schiff · Musikkollegium Winterthur
Travaux commandés :
Auftragswerk des Musikkollegiums Winterthur
Détails techniques
Numéro du produit:
LS 2635-01
représentations
Konzert
« Portrait Tatjana Komarova »
Chef d'orchestre: Lawrence Foster
Orchestre: Orchestre de Bretagne
5 mai 2005 |
Rennes (France) , Université, Auditorium
Konzert
« Portrait Tatjana Komarova »
Chef d'orchestre: Lawrence Foster
Orchestre: Orchestre de Bretagne
4 mai 2005 |
Rennes (France) , Université, Auditorium
Konzert
« Portrait Tatjana Komarova »
Chef d'orchestre: Lawrence Foster
Orchestre: Orchestre de Bretagne
3 mai 2005 |
Fougères (France) , Centre Culturel Juliette Drouet — Première nationale
Konzert
Chef d'orchestre: Peter Sauerwein
Orchestre: Junges Sinfonieorchester Aachen
30 avril 2005 |
Aachen (Allemagne) , Eurogress — Première nationale
Konzert
Chef d'orchestre: Heinrich Schiff
Orchestre: Musikkollegium Winterthur
11 mai 2001 |
Neuchâtel (Suisse)
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