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The Tower and the Garden

The Tower and the Garden

for SATB choir and string quartet


  • Instrumentation: SATB choeur et quatuor à cordes
  • Édition: Partition et parties
  • Langue : anglais
  • N° Réf.: ED 30292
252,00 €  *
TVA incl. Weight: 0.57 kg

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Description

The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo.

The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war.

The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain.

The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness.

– Gregory Spears

Détails
Année de composition: 2018
Auftragswerk : Commissioned by Cantori New York, The Crossing, Notre Dame Vocale, and Volti with funding provided by The Ann Stookey Fund for New Music
Contenu du texte: I “80”
II “In The Land Of Shinar”
III “Dungeness Documentary”
Durée de la performance: 35'0"
ISBN: 978-1-540-05027-4
ISMN: 979-0-800011-89-4
Maison d'édition: Schott Helicon Music Corporation
Nombre de pages: 84
UPC: 888680931261
Représentations
Chef d'orchestre: Donald Nally
2018-10-27 | Philadelphia, PA (Etats Unis d' Amérique), The Presbyterian Church of Chestnut Hill | Première mondiale

The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo.

The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war.

The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain.

The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness.

– Gregory Spears

Année de composition: 2018
Auftragswerk : Commissioned by Cantori New York, The Crossing, Notre Dame Vocale, and Volti with funding provided by The Ann Stookey Fund for New Music
Contenu du texte: I “80”
II “In The Land Of Shinar”
III “Dungeness Documentary”
Durée de la performance: 35'0"
ISBN: 978-1-540-05027-4
ISMN: 979-0-800011-89-4
Maison d'édition: Schott Helicon Music Corporation
Nombre de pages: 84
UPC: 888680931261
Chef d'orchestre: Donald Nally
2018-10-27 | Philadelphia, PA (Etats Unis d' Amérique), The Presbyterian Church of Chestnut Hill | Première mondiale