Lieferzeit
2-3 Tage
CD
Versatzstücke / Kommen und Gehen / Rekurs / Fallstudien
Numéro du produit: WER 65622
16,50 €
TTC, hors expédition
Détails du produit
Description
Orm Finnendahl is no musical humorist. But his works are often based on punchline-like expressions which take the listener by surprise whenever he believed himself safe.
"Fallstudien" is not the first piece in which Finnendahl works consistently with procedures derived from mathematics and the natural sciences. Especially important to him are recursions, patterns of growth and diversification generated by the repeated application of one and the same rule to pre-existing material and to the results thereby obtained. One of the most celebrated examples of recursive patterns are fractals, which can be used, say, to describe the abstract formation of a snowflake using a single rule.
In "Rekurs", sections of the work are recorded on tape and fed into the next section via loudspeakers. The tape recorder embodies the contradiction between technological progress and the fixed immutability of the recording – a contradiction that Finnendahl expounds and subsumes in his art, most notably in "Rekurs".
Rules and pre-existing material must first be transformed before they can produce connections – poetic or dramatic, for example – that catch the composer's interest. To quote Finnendahl himself, "Interpretation is made visible as contingent action on the part of the composer."
"Fallstudien" is not the first piece in which Finnendahl works consistently with procedures derived from mathematics and the natural sciences. Especially important to him are recursions, patterns of growth and diversification generated by the repeated application of one and the same rule to pre-existing material and to the results thereby obtained. One of the most celebrated examples of recursive patterns are fractals, which can be used, say, to describe the abstract formation of a snowflake using a single rule.
In "Rekurs", sections of the work are recorded on tape and fed into the next section via loudspeakers. The tape recorder embodies the contradiction between technological progress and the fixed immutability of the recording – a contradiction that Finnendahl expounds and subsumes in his art, most notably in "Rekurs".
Rules and pre-existing material must first be transformed before they can produce connections – poetic or dramatic, for example – that catch the composer's interest. To quote Finnendahl himself, "Interpretation is made visible as contingent action on the part of the composer."
Contenu
Versatzstücke für Klavier solo und 6-Kanal-Zuspielung
Kommen und Gehen für Violine solo und 8-Kanal-Zuspielung
Rekurs für Altsaxofon, Schlagzeug, Klavier und Aufnahmegeräte
Fallstudien für Kammerensemble
Kommen und Gehen für Violine solo und 8-Kanal-Zuspielung
Rekurs für Altsaxofon, Schlagzeug, Klavier und Aufnahmegeräte
Fallstudien für Kammerensemble
Interprètes
Benjamin Kobler: piano / Mirijam Contzen: violin / Sascha Armbruster: alto-saxophone / Pascal Pons: percussion / Ensemble Mosaik / Enno Poppe: conductor
Plus d'infos
Titre:
Versatzstücke / Kommen und Gehen / Rekurs / Fallstudien
Maison d'édition:
Wergo
Durée:
65 ′49 ′′
Détails techniques
Numéro du produit:
WER 65622
MAN EAN:
4010228656220
Poid:
0,11 kg
Annexes
Personnes
Plus de cette série
German Music Council / Contemporary Music Edition
Die renommierte CD-Reihe des Deutschen Musikrats bei WERGO lotet die gesamte Breite und Tiefe der gegenwärtigen kompositorischen Entwicklung aus. Die Aufnahmen mit ihren editorisch exzellent gestalteten Begleitheften stellen eine wertvolle Basisdiskothek jüngster Musik zur Verfügung.
Nähere Informationen zu den Komponisten und Komponistinnen der Edition Zeitgenössische Musik (einschließlich Biografie, Werkverzeichnis und Hörbeispielen) finden Sie hier.
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