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Violin Spaces

Etudes contemporaines pour violon
with a foreword by Carolin Widmann
violon
20 praxiserprobte Unterrichtsstunden
Numéro du produit: ED 22971
Prix à partir de 25,99 €
TTC
Type de produit
Format papier
Partition PDF

Détails du produit

Description

Garth Knox fait partie des meilleurs altistes de sa génération, et en tant qu’ancien membre de l’Arditti Quartett, il a développé sa prédilection pour la musique contemporaine. Il donne des concerts et organise des workshops dans le monde entier. Après son Viola Spaces qui a remporté un grand succès, il présente son nouveau pendant Violin Spaces : des études pour violon adressées aux musiciens d’un niveau avancé. Les pièces - ou « Spaces » - ont chacune des spécificités techniques, comme le Pizzicato (avec dix doigts !) ou des variantes sur le Glissando. Les Violin Spaces sont dédiés à la violoniste Diamanda Dramm, qui a étroitement travaillé à leur développement avec le compositeur.

Contenu

Spielanweisungen
No. 1 : Skating
No. 2: Up above our heads (harmonics)
No. 3: Microtonal blues (microtones)
No. 4: Ten fingers (pizzicato)
No. 5: No pitch, no Problem (noise)
No. 6: Sliding (glissando)
No. 7: The Raven (sul tasto)
No. 8: Rick O'Shea (Extended bowing techniques)

Plus d'infos

Titre:
Violin Spaces
Etudes contemporaines pour violon
with a foreword by Carolin Widmann
Niveau de difficulté:
difficile
Maison d'édition:
Schott Music
Year of composition:
2017
Série:
Titre:
Violin Spaces
Etudes contemporaines pour violon
with a foreword by Carolin Widmann
Langue:
Allemand, Français, Anglais
Niveau de difficulté:
difficile
Maison d'édition:
Schott Music
Year of composition:
2017
Série:
Titre:
Violin Spaces
Etudes contemporaines pour violon
with a foreword by Carolin Widmann
Langue:
Allemand, Français, Anglais
Niveau de difficulté:
difficile
Maison d'édition:
Schott Music
Year of composition:
2017
Série:

Détails techniques

Numéro du produit:
ED 22971
ISMN13:
979-0-001-18868-5
Numéro du produit:
ED 22971
ISMN13:
979-0-001-18868-5
UPC:
842819100164
Poid:
0,21 kg
Pages :
52
Format:
23.1cm x 30.3cm
Obligatoire :
Reliure à dos agrafé
Droits de livraison:
Pour le monde entier
Numéro du produit:
ED 22971 Q49139
ISMN13:
979-0-001-18868-5
Pages :
49
Format de fichier:
(PDF / 807,19 KB)
Droits de livraison:
Pour le monde entier

Preview/Media Contents

Video:
Here is Violin Space number 1, ‘Skating’, which explores splitting notes into their sub-atomic particules (sul ponticello and related techniques), performed by Diamanda Dramm
Violin Spaces no 2 ‘Up above our heads’ is all about harmonics and the ultrasounds which float above our heads.
Microtonal Blues explores different types of micro-intervals: quartertones, harmonic tuning, tunings with an ‘ethnic’ feel, beating tones and an offstage bagpipes imitation at the end.
Ten Fingers uses all the fingers to pluck the strings, so no bow.
No pitch, no problem is a study in noise. How to enjoy sounds without worrying about ‘right’ notes and ‘wrong’ ones, and how to give them meaning.
Sliding uses one of the most natural string techniques – glissando. Strings are not keyboards and the notes are not sectioned off like on a fretted instrument. So why not slide up and down li
The bow is the breath of the violin. Here it imitates the breath of the violinist by playing without pitch, then whispers it’s ghostly melody under the breath.
Rick O’Shea and his amazing circular bow would make a great circus act – sonorous bow juggling in many dimensions; up and down, sideways, round, with the hair and with the back of the bow, an
Video:
Here is Violin Space number 1, ‘Skating’, which explores splitting notes into their sub-atomic particules (sul ponticello and related techniques), performed by Diamanda Dramm
Violin Spaces no 2 ‘Up above our heads’ is all about harmonics and the ultrasounds which float above our heads.
Microtonal Blues explores different types of micro-intervals: quartertones, harmonic tuning, tunings with an ‘ethnic’ feel, beating tones and an offstage bagpipes imitation at the end.
Ten Fingers uses all the fingers to pluck the strings, so no bow.
No pitch, no problem is a study in noise. How to enjoy sounds without worrying about ‘right’ notes and ‘wrong’ ones, and how to give them meaning.
Sliding uses one of the most natural string techniques – glissando. Strings are not keyboards and the notes are not sectioned off like on a fretted instrument. So why not slide up and down li
The bow is the breath of the violin. Here it imitates the breath of the violinist by playing without pitch, then whispers it’s ghostly melody under the breath.
Rick O’Shea and his amazing circular bow would make a great circus act – sonorous bow juggling in many dimensions; up and down, sideways, round, with the hair and with the back of the bow, an
Video:
Here is Violin Space number 1, ‘Skating’, which explores splitting notes into their sub-atomic particules (sul ponticello and related techniques), performed by Diamanda Dramm
Violin Spaces no 2 ‘Up above our heads’ is all about harmonics and the ultrasounds which float above our heads.
Microtonal Blues explores different types of micro-intervals: quartertones, harmonic tuning, tunings with an ‘ethnic’ feel, beating tones and an offstage bagpipes imitation at the end.
Ten Fingers uses all the fingers to pluck the strings, so no bow.
No pitch, no problem is a study in noise. How to enjoy sounds without worrying about ‘right’ notes and ‘wrong’ ones, and how to give them meaning.
Sliding uses one of the most natural string techniques – glissando. Strings are not keyboards and the notes are not sectioned off like on a fretted instrument. So why not slide up and down li
The bow is the breath of the violin. Here it imitates the breath of the violinist by playing without pitch, then whispers it’s ghostly melody under the breath.
Rick O’Shea and his amazing circular bow would make a great circus act – sonorous bow juggling in many dimensions; up and down, sideways, round, with the hair and with the back of the bow, an

Plus de cette série

Essential Exercises

La série Essential Excercises se définit comme une bibliothèque d’études musicales de base et s’adresse à tous les instrumentalistes. Des éditions révisées et des rééditions d’œuvres standards y trouvent place, de même que des exercices techniques et des guides méthodiques. Des introductions en plusieurs langues, des conseils favorisant l’étude et une image graphique de haute qualité distinguent cette série, éditée par des interprètes de renom et des pédagogues avertis.

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